Drumond Park 1900" Pickin Chickens Game BOARD, Multi-coloured

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In swing eighths, the first eighth note of each pairing is longer and the second eighth note of each pairing is delayed or “felt” later in time. The most common description is a triplet without the middle note. If you count “1 trip-let 2 trip-let 3 trip-let 4 trip-let,” and take out the “trip” of each grouping, you have approximated the swing feel. Sometimes, based on genre and feel, the swing subdivision can be called a shuffle. Generally speaking, in a shuffle feel, each second note of the pairing is even more delayed than in a swing feel. For charts, the convention is to write regular eighth notes, even though they are performed in this “long-short-long-short” way.

Here we have a C major scale, and we’ll apply some common bent notes of the scale. Note that in country music, all six strings can be used for bending into notes, but more commonly you’ll find the 1, 2, and 3 strings being used. In this example when ascending, you’ll bend into the D to the E on the 3rd string, G – A on the 2nd string. When descending we’ll incorporate some “pre-bends”—these are notes that start with the string already bent, in which the bend resolves to the next note. For this example descending, we’ll have the B, 2nd string resolving to A 2nd string 10th fret; E – D, 7th fret, 3rd string; and F – E 5th string, 7th fret.Always have the pitch in your ear before bending. When working on your bends, it’s a good idea to play the note you’re bending to first, by fretting the note, then bending into the note. Another way to look at it is by playing any minor pentatonic scale, and starting on the 2nd degree of the scale (2nd note), you’ll get its relative major scale. In this case, with F#min being the minor pentatonic scale, starting on the next note A will give you the major pentatonic. There’s not one correct answer to this question. If there is an answer, it would be all of them. This can be confusing, but in essence, you tend to use a combination of pentatonic, major, minor, blues scale, modes—major, Mixolydian, minor, natural minor, etc. It ultimately depends on the chord progression or the harmony of the song. Is it in one key? Does it modulate? How long does it stay on the I chord before going to the IV or V chord? All of these variants will determine what scale works. And it’s up to you to decide what kind of “color” sound or mood you want.

Let’s examine our A minor pentatonic scales. Pay special attention to your root note, and what degree of the scale position you start and end the scale on. Practice your scales slowly and accurately, using a metronome, focusing on accuracy and consistent-sounding notes. The Blues ScaleMuch of the signature sound in traditional country music comes from having a pedal or lap steel guitar in the band. The sound of bending into notes is a key element in country guitar playing. Older hens generally feel more heavy and solid, unless they develop one of the conditions that cause an aging hen to lose weight. As a hen ages, she will tend to be less active, moving less spryly than she once did, and she will often walk a little stiffly.

The A blues scale is basically the same scale as the A minor pentatonic pictured above, just adding the b5th to the scale. In this case it would be the Eb. This note is often used as a passing note to help link phrases together. Play through all positions of the A blues scales, paying special attention to where the b5 falls in the scale. The following article on country music guitar techniques is excerpted from the Berklee Online course Country Guitar.

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Before we get into bending, let’s review a couple scales we’ll be using to help develop this technique. Always have at least two fingers behind the note you’re bending: Reinforcing the note with more fingers behind it will give you a stronger-sounding bend, and will really make hitting the note you’re bending to much easier. If we release the pressure of our fretting hand fingertips immediately after playing it, we get this sound. For this example we’ll be playing a C major scale using the 5, 4, 3, 2, and 1 strings, ascending from 3rd fret to 8th. Bend slowly and accurately, focusing on the pitch. Pay attention to how it feels to bend a whole step and how it feels to bend a half step (which requires less force then a whole step). Eventually, you’ll develop muscle memory and won’t have to focus on pitch every time, but in the beginning it’s crucial to get used to hearing and playing the pitches accurately.